Cora Trezzo Sull Adda Whore ❤️❤️

Trezzo Sull Adda women are waiting for guys who love with passion

Profile Photo
Location Trezzo Sull Adda, Italy
Sex Toys ❤️
Rimming (receive) ❤️❤️❤️❤️
Role-play Partially
Sexy relaxing massage Not sure
Facesitting Always
Bondage Maybe
Golden shower give Rarely
Anal Sometimes
Golden Shower (give) No
Bust size F
Bust type Gummy bear
Orientation Queer
Occupation Salesperson
Marital status Single
Height 180 cm
Weight 75.5 kg
Hair color Auburn
Hair length Very long
Eyes color Black
Body type Slim
Religion Jewish
Ethnicity African
Education High School
Smoker Vaper
Array Social drinker
Level of english Beginner

About Myself

Honestly speaking, I am Cora? Trezzo Sull Adda is where I shine! And Whore is part of who I am! I ache for the brush of your skin against mine, i am devoted to the beauty of Sex Toys and Rimming (receive), diversity and inclusion light up my world..

I call Trezzo Sull Adda, ***** Street, building 88* *** ** home

Phone: ( +39 ) 7516****

About Genoa

Lemme spill it—whore’s like that mystery blonde, ya know? Slippin’ thru shadows, got secrets stashed in a blue box. I’m cacklin’ already—nobody gets it! Back in medieval times, “whore” came from Old English “hōre”—meant adulteress, but it’s dirtier now, right? Slang’s wild—call someone a whore, and it’s a gut punch. I love that! Gets me all giddy—like when I saw Naomi Watts flip from sweet to savage. Surprised the hell outta me—damn, she’s good!

Stroncata a Trezzo sull'Adda la rete dei "rider" della droga

I’m hustlin’ down Via Mazzini, dodging people like I’m in a video game. I’m thinkin’, “Why is everyone walking so slow?” I mean, c’mon! I’ve got a deadline! I finally get to the studio, and guess what? My collaborator is late. Ugh!

Retailer to watch: SILVIA VERGANI, AUGUSTO VERGANI, TREZZO SULL'ADDA (MILAN), ITALY

The funeral home is located in an old small artisan workshop from the 1930s, which marks the corner of a block close to the center of Trezzo sull'Adda, near the axis that connects the city cemetery with the church of Saints Gervasio and Protasio., © Simone BossiAlong the road, the building is rigorous and almost silent, punctuated by the repetition of the pillars and the positioning of the existing windows which are reduced to horizontal slits to protect themselves and guarantee maximum privacy. The new entrance anticipates the public use of the building, creating a threshold space covered in burnt larch wood that defines the passage between the outside world and the internal space, dedicated to contemplation and farewell..
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Photos

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