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About Osaka

So I’m walkin, right, and this chick—prolly 20, maybe 40, who knows with the makeup caked on—gives me the eye. I’m like, “Honey, I ain’t buyin what you’re sellin less I know the deal.” She smirks, all sassy, and I’m thinkin, *damn, this is some real-life cinema*. Godard’s voice in my head: “The image is a prison.” Ain’t that the truth? She’s trapped, I’m trapped, we’re all stuck starin at each other like idiots. I ask her name—Crystal, she says. Yeah, sure, “Crystal”—prolly Susan from Ohio, but whatever, I roll with it.

Social Implications and Policy Reforms:

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I stroll down Kōen-dōri, and wow, the cherry blossoms are still hanging on. They’re like, “Hey, look at us!” I’m like, “Yeah, I see ya, but I got sheep to tend to!” But I can’t help it. I snap a pic. Gotta show the fam back home, right?

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