Penelope Nihommatsu Whore ❤️❤️❤️❤️❤️

About Yokohama

So, this one whore—let’s call her Sally, cos why not—she’s got legs like a ship’s mast, tall and wobbly after too much rum. I’m sittin’ there, thinkin’, “What storm spat you out, love?” She’s got this laugh, loud as a cannon, makes me wanna chuck her overboard—but nah, she’s got stories. Heard she once shagged a captain so hard he forgot his own ship’s name—called it “The Wet Wench” for a week! Little known fact, mate—back in the day, whores in port towns had their own code. Like, a red ribbon on the door meant “busy,” green meant “come on in, ya filthy git.” Bet ya didn’t know that, ya ignorant sod!

So far I've written about 97 of the 184 films, or roughly 53%.

Sorry, s Japan. Kazui Nihonmatsu's Genocide () wasn't wacky enough. Oh, it's wacky alright, and I would recommend it, but it never lives up to.

So, I rush to the prison, right? I’m late, of course. Traffic on Kōen-dōri was a nightmare. I swear, if I see one more bike courier zoom past me, I might lose it. Anyway, I get to the prison, and it’s already chaos. Some inmate decided it was a good idea to start a fight over a game of cards. Like, really? You’re in prison, dude! Priorities!

DIVA-DAG (Tokyo) redefines CG production with Zero Density’s Reality Engine